Mini Primes + RED Komodo is an ideal combination.
I was encouraged to try them out at a Cinegear in LA and ended up getting the entire set in RF mount.
When you have a 6K camera, you need to have the resolving power and these babies (for all intents and purposes they are tiny) deliver!
Something very important about the history of these lenses, they were designed from the ground-up as cine lenses without taking a stills lens and striping it out and doing a conversion.
First on the practical aspect,
Gears are in the same position for the entire set.
Filter thread is ø 77mm and front diameter is ø 80mm across the set.
The red section of the barrel near the lens mount is a consistent ø 65mm which is rather important because it allowed me to attach The Lens Cuff and mount a focus motor directly on the lens while leaving the front entirely free for use with a matte box.
The damping of the focus and iris rings is consistent and buttery smooth.
Focus markings are accurate.
All that ties well with the all metal construction while keeping the weight down.
As for the optics themselves,
Distortion is kept to a minimum, being barely noticeable even on the 10mm.
Breathing is very well controlled and only if you put some effort you can see it.
The coatings work perfectly to eliminate aberrations and flaring while contrast and colour accuracy are comparable to lenses with a few zeros added to the price tag.
And the curved aperture blades render a pleasing out of focus bokeh.
In short, I absolutely love working with the Meike Mini Primes and the fact that I can fit the entire set in my backpack with two RED Komodos and a laptop, makes them the best Cine Travel Set!
Finally, the sales and after sales experience with Revar Cine is the best part!
NB: Linked is an extensive lens test I performed. A video review will follow soon.